![]() ![]() Take the time to mark accidentals, expressive and dynamic markings, and identify repeating patterns of scales, sequences, intervals, and varying articulations, to ensure that each etude is learned correctly from the start. M.23 - the low C on the first note of beat 1, change to an E-flatĪs you begin work on these etudes, study your music away from your instrument. M.22 - the low C-sharp on first note on beat 4, change to an A-flat (2nd and 4th notes in beat 4 of m. M.18 - the low C on the last note of measure, change to an E-flat M.9 - the low C-sharp on the last note of beat 1, change to an F-sharp M.6 - play the low C-sharps and low Ds up an octave 16 - last note is a G-natural, not a G-flat 14 - second note in BEAT 2 is a C-natural, not a C-sharp 14 - second note in BEAT 1 is an A-natural They have the same pitches but have different note names.M. It includes all major, natural minor, melodic minor and harmonic minor piano scales - The Really Useful Piano Poster – Illustrated Piano Scales Poster – A1 Size – Folded Version (Affiliate disclosure: As an Amazon Associate, I may earn commissions from qualifying purchases from .) Enharmonic Minor ScalesĪ Sharp Minor and B Flat Minor Scales are enharmonic minor scales. *Check out this piano scales poster from Amazon. These are the chords that are diatonic to the A sharp minor scale. They are directly related to the A sharp minor key and make a harmonic sound for music in the same key. A Flat major chord is the same as G Sharp major chord. G♯ – B♯ – D♯ (G Sharp major chord) * G Sharp and A Flat are enharmonic equivalents. ![]() F minor chord is the same as E Sharp minor chord. ![]() E♯ – G♯ – B♯ (E Sharp minor chord) *Notice that E Sharp and F are enharmonic equivalents. C diminished chord is the same as B Sharp diminished chord. B♯ – D♯ – F♯ (B Sharp diminished chord) * Notice that B Sharp and C are enharmonic equivalents. ![]()
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